The Guardian · US news · Original story
Will hordes of influencers, weed smokers and mid-point talkers bring down the US Open?
This year, the noise at the Billie Jean King National Tennis Center has officially become A Problem. But changing it would mean changing society
The first thing you notice while sitting in the upper tiers of Arthur Ashe Stadium is the noise. A persistent exterior hum filters up from ground level, fed by the massive ventilation and cooling units that sit outside the stadium, the clack of the Long Island Rail Road to the north, and the forklifts receiving goods from the refrigerator trucks that keep the USTA Billie Jean King National Tennis Center flush with its essential supplies of Evian, champagne, and premium IPA. Overhead, planes descending toward LaGuardia airport ensure the auditory assault takes place by land and air simultaneously. In the lower rakes of the stadium, the babble of the spectators is incessant; it’s not unusual to overhear full-volume conversations on various non-tennis topics – work, family, romance, last night’s dinner – that continue without interruption for the duration of an entire match.
New York is famously noisy, and the US Open, as the most glamorous annual sporting event in town, has always been loud in sympathy with its environment. Indeed, the brashness of the American grand slam has historically been its major selling point, the signature that distinguishes it from the Australian Open (the “happy slam”), Wimbledon (strawberries and cream, all-white attire, the home of tennis), and the French Open (French). People have been complaining about the volume of the New York crowd for decades. But this year the noise at the US Open feels different. This year noise at the noisy slam has become A Problem.
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Aaron Timms at Flushing Meadows · Mon, Sep 7, 2026, 1:00 AM
US news | The Guardian
This year, the noise at the Billie Jean King National Tennis Center has officially become A Problem. But changing it would mean changing society
The first thing you notice while sitting in the upper tiers of Arthur Ashe Stadium is the noise. A persistent exterior hum filters up from ground level, fed by the massive ventilation and cooling units that sit outside the stadium, the clack of the Long Island Rail Road to the north, and the forklifts receiving goods from the refrigerator trucks that keep the USTA Billie Jean King National Tennis Center flush with its essential supplies of Evian, champagne, and premium IPA. Overhead, planes descending toward LaGuardia airport ensure the auditory assault takes place by land and air simultaneously. In the lower rakes of the stadium, the babble of the spectators is incessant; it’s not unusual to overhear full-volume conversations on various non-tennis topics – work, family, romance, last night’s dinner – that continue without interruption for the duration of an entire match.
New York is famously noisy, and the US Open, as the most glamorous annual sporting event in town, has always been loud in sympathy with its environment. Indeed, the brashness of the American grand slam has historically been its major selling point, the signature that distinguishes it from the Australian Open (the “happy slam”), Wimbledon (strawberries and cream, all-white attire, the home of tennis), and the French Open (French). People have been complaining about the volume of the New York crowd for decades. But this year the noise at the US Open feels different. This year noise at the noisy slam has become A Problem.
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